Friday, June 22, 2012

Queen of Sheba left genetic legacy to Ethiopians, study finds

Ethiopians's long-ago genetic mixing with populations from Israel and Egypt is a legacy of the Queen of Sheba and her companions, say researchers.?

By Stephanie Pappas,?LiveScience / June 21, 2012

A depiction of the Queen of Sheba meeting King Solomon of Israel from the Florence Baptistry in Italy.

Richardfabi, distributed under a Creative Commons license by Wikimedia.

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The Queen of Sheba's genetic legacy may live on in Ethiopia, according to new research that finds evidence of long-ago genetic mixing between Ethiopian populations and Syrian and Israeli people.

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The Queen of Sheba, known in Ethiopia as Makeda, is mentioned in both the Bible and the Quran. The Bible discusses diplomatic relations between this monarch and?King Solomon of Israel, but Ethiopian tradition holds that their relationship went deeper: Makeda's son, Menelik I, the first emperor of Ethiopia, is said to be Solomon's offspring.

Whether this tale is true or not, new evidence reveals close links between Ethiopia and groups outside of Africa. Some Ethiopians have 40-50 percent of their genomes that match more closely with populations outside of Africa than those within, while the rest of the genomes more closely match African populations, said study researcher Toomas Kivisild of the University of Cambridge. [History's Most Overlooked Mysteries]

"We calculated genetic distances and found that these non-African regions of the genome are closest to the populations in Egypt, Israel and Syria," Kivislid said in a statement.

From its perch on the Horn of Africa, Ethiopia is the site of early hominin discoveries such as "Lucy," a fossilizedAustralopithecus afarensis?and an early human ancestor. Ethiopia is also a?gateway between Africa and Asia, according to Kivislid and his colleagues. But few genetic studies have delved specifically into the Ethiopian genome.

Both agriculture and linguistics show a link between Ethiopia and lands outside of Africa. For example, archaeologists have uncovered wheat and barley farming in Ethiopia, agriculture that first arose in the Fertile Crescent of the Middle East. Linguistically, Ethio-Semitic, a language spoken both in Ethiopia and nearby Eritrea, has been traced to a Middle Eastern origin.?

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Without Michael, Jackson brothers prepare to tour

BURBANK, Calif. (AP) ? Guided by a thumping bass line from their backing band, the Jackson brothers strut forward to a row of four microphones, thrusting their pelvises along the way, before launching into "Can't Let Her Get Away," a song their superstar sibling released on his "Dangerous" album. If they had afros and matching powder blue suits, it might feel like 1977 again.

It doesn't. They're casually sporting sunglasses, workout gear and a few more pounds than when they, along with the future King of Pop, were simply known as the Jackson 5. (Also, "Can't Let Her Get Away" was released in 1991 after the group fizzled out.)

Nearly three years since Michael died while preparing for his comeback tour, four of his brothers ? Marlon, Jermaine, Tito and Jackie ? are set for their own return to the stage as The Jacksons. It hasn't been easy.

"The brothers don't know this, but I've broken down several times and cried during rehearsals," said Jermaine during a recent rehearsal break on a soundstage in Burbank, Calif. "I'm so used to Michael being on the right and then Marlon, Jackie, on and on. It's just something we never get used to."

The brothers are launching their "Unity" tour on Wednesday, five days ahead of the third anniversary of Michael's death from an overdose of the anesthetic propofol on June 25, 2009.

"For me, this cycle that comes around every year ? this day, that day ? that doesn't affect me because it affects me every day," said Marlon. "When that day comes around, it's the same. You learn to live with it. I still wake up sometimes and go, 'Jeez. I can't believe my brother's not here.'"

Following Michael's death, the four brothers appeared in the A&E reality series "The Jacksons: A Family Dynasty," which chronicled their loss and attempt to stage a comeback before their brother died.

Jermaine said the brothers have wanted to reunite on their own for years, but after Michael's passing, they needed time to heal ? and the tour is another step in that process. They've rearranged their classics to suit their voices, and Jermaine said the group plans to pay tribute to Michael during their shows with a slideshow and medley that will conclude with the tune "Gone Too Soon."

"There's certain songs that make you feel the sorrow," said Tito. "Then again, there are other songs that bring so much joy and happiness, such as 'ABC' and 'I Want You Back' and the up-tempo stuff like 'This Place Hotel.' I just imagine how he used to walk and spin and do all these things. You can feel his presence here."

The Jacksons' tour kicks off at Rama Casino in Ontario, Canada, and is scheduled to end July 29 at the Snoqualmie Casino Amphitheater in Snoqualmie, Wash. Other stops include Detroit's Fox Theatre, Los Angeles' Greek Theatre and Harlem's sold-out Apollo Theatre, where the Jackson 5 won an amateur night in 1969 before rocketing to fame.

Michael later forged unprecedented success as a solo artist. His superstardom was unrivaled, and his brothers couldn't capture similar acclaim or sales with their solo projects or last studio album, 1989's mostly Michael-less "2300 Jackson Street," but their legacy as a group has remained unchanged. The Jackson 5 were inducted into the Rock and Roll Hall of Fame in 1997.

While various combinations of the brothers have reunited to perform over the years, including at last year's "Michael Forever" tribute concert in Wales, "Unity" will mark the first time the brothers have toured together since their final "Victory" outing in 1984. (Marlon said Randy, who officially joined The Jacksons in 1975, elected not to join the tour but noted that the youngest Jackson brother was welcome at any time.)

"We have a certain magic," said Jackie. "Once we get out here and run it down a couple times, it comes back to you. I'm not (moving) like I used to, but we still got it."

Will the fans think so ? and will they turn out to see The Jacksons, whose ages now range from 55 to 61, perform their hits without Michael?

Last year, Cirque du Soleil launched "Michael Jackson: The Immortal World Tour" in Las Vegas. The show featuring dancers and acrobatic acts performing routines set to M.J. tunes has been among the top touring acts this year, and "Immortal" will return to Vegas for a residency at the Mandalay Bay Hotel and Casino.

However, Gary Bongiovanni, editor-in-chief of concert industry trade publication Pollstar, doesn't believe The Jacksons will achieve similar success with their smaller endeavor.

"The Jacksons were really all about Michael," said Bongiovanni. "The Cirque du Soleil show was successful because it was Cirque du Soleil and Michael's music. I don't know if that portends much for the remaining brothers and their ability to generate enthusiasm for ticket sales."

The brothers are undaunted, hoping to release an album of new music then go back out on tour.

"It's like riding a bike," said Marlon. "You never forget, but you do need to tweak a few things."

___

Follow AP Entertainment Writer Derrik J. Lang on Twitter at http://www.twitter.com/derrikjlang

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Thursday, June 21, 2012

Monkeys + monk = monkey biz in China

BEIJING ? They say working with animals on screen can be maddeningly unpredictable, even with Zen-like patience.?

So there could be no better person to test that theory than a Buddhist monk, right??

Yen Shen, a monk who serves as a director of the Cangzhou Buddhist Association in China?s Hebei province was at Mount Emei ? a popular tourist site and home to a well-known Buddhist temple ? in western Sichuan shooting a little video about the beauty of the region.

With lush forest and fog draped valleys behind him, Yen was speaking poetically about the beauty of the region and the need to take time to connect with nature. ?As the years pass, let us bless our friends, let us bless everything,? he waxes on poetically in the video, ?when the year?s pass let us bless spring and the autumn.?

That?s when the monkey business starts. (Click to watch the video above).?

Just 10 seconds into his monologue, what looks like a Tibetan macaque next to him starts grabbing Yen?s robes and playing with them. Showing incredible TV professional poise though, Yen continues talking about Buddhist spirituality without skipping a beat.


Then 1:30 into the video, two macaques run up and jump onto Yen, turning him into a human jungle gym. Yen appears momentarily frozen in panic, but recovers and then continues talking; ignoring the growing giggles and chatter of onlookers.

A third monkey joins in on the fun at 1:58, before someone hands one of the macaques what appears to be a cookie and pulls Yen out of the way.

Further attempts to continue the video are derailed as one monkey who will not be denied his 15 minutes of fame, perches itself next to Yen and starts clutching his robe, only letting go long enough to devour more biscuits handed to him just off screen by a helper.

As biscuit after biscuit is handed over to the ravenous monkey, Yen simply looks at him with seeming amusement, all while passersby yell advice on how to deal with the monkeys and urge him to look back up at the camera and continue.

The video has racked up almost 1 million hits since it was posted on Sina, the Chinese web site, Wednesday. Online commentators mostly express admiration for Yen?s ability to keep talking despite the distraction. Strangely though, many more commentators seemed interested in discussing the monk?s ?strange? accent as much as the rambunctious macaques.

Regardless, a marvelous big screen debut by both man and monkeys.?

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Ronny Cox on "Deliverance"'s 40th anniversary

LOS ANGELES (TheWrap.com) - Released in 1972 and starring a cast of up-and-coming actors that included Burt Reynolds, Ronnie Cox, Jon Voight and Ned Beatty, "Deliverance" thrilled audiences with its unflinching look at a canoe trip gone horribly wrong.

It earned an Oscar nomination for Best Picture and became one of the year's top-grossing films.

On the 40th anniversary of John Boorman's classic adventure nightmare, Cox - whose character Drew played guitar in the famous "Dueling Banjos" scene - has released a book, aptly titled "Dueling Banjos: The Deliverance of Drew" (Decent Hill), which recounts his experiences making the film.

It coincides with the June 26 release of a new Blu-ray edition of "Deliverance," which boasts hours of featurettes and a 42-page book with behind-the-scenes photos.

TheWrap talked to Cox about why the story of modern man versus the elements still resonates, Hollywood's propensity to remake his most famous films and how the real story behind that dueling banjos scene.

Q: You are a musician - did you actually play the guitar in the "Dueling Banjos" scene?

A: "I did not, sort of by my own choice, although I'm not nearly a good enough guitarist. Billy Redden, who played the banjo boy, could not play. He had another kid behind him working the strings."

"Since he was not able to play and we were going to just match the playback, I didn't want to miss a day of canoe practice to go off and record it. I had no idea that it was going to become this number one hit record. Because it's not me on the soundtrack, it probably cost me a gazillion dollars."

Q: When your character Drew's body is discovered, his arm is horribly mangled. That effect was not achieved with makeup.

A: "It was my real arm. That scene turns a lot of people's stomachs, but I had this light case of Polio as a child and I can do this thing where my shoulder comes out of place and just completely dislocates."

"I was in Georgia getting fitted for false eyeballs, because Drew was originally going to be discovered face up in the water, and I told Boorman that I could do this weird thing with my shoulder. Well, he almost fell down. He just thought it was the greatest thing and we later got credit for all this symbolism, but it was just a happy accident."

Q: Could a movie this brutal and uncompromising be made in today's Hollywood?

A: "It couldn't be made the way the film was made then. We did all that canoeing ourselves. With today's CGI, it would be done in a completely different way. That rape scene was so raw, in some ways, I don't know that films today would be able to pull that off."

Q: This was your first film. How did you ever get a gig like this right off the bat?

A: "It was Ned Beatty's first film too."

"It's unheard of. Boorman wanted to make the cast all unknowns, because he didn't want any character to be safe. If it's a big star, you know he's going to make it."

Q: Boorman did change the ages of the main characters, no? In James Dickey's novel they are in their 40s.

A: "He wanted to cast younger actors, not just because younger actors in their early thirties are sexier. In 1971, we were coming out of the Vietnam War and people in their forties were seen as part of the establishment, while people in their twenties were linked with the hippie movement."

"Boorman wanted to run it through the generation of guys in their thirties and that particular set of angst, because they didn't really belong anywhere. He thought they were the most screwed up psychologically and in the film it pays off in ways you can't imagine."

Q: Had you ever canoed before?

A: "None of us had, with one exception. The only guy who had been in a canoe was Ned, which was ironic because in the film he was supposed to be the biggest klutz."

"We did shoot the film in sequence, so after two weeks of canoe practice and being on the water 10 hours a day, we were pretty expert when we had to shoot on the rapids."

Q: A number of your films are being remade like "Total Recall" and "Robocop." How do you feel about that?

A: "I hate sequels and remakes. I thought both films were pretty well-realized, so I don't see the point in finding something good and just doing it again. Someone once said that doing a sequel is like putting on a wet bathing suit. Same is true with a remake."

Q: Why did you decide to write this book?

A: "It was my first film and it just changed my life. I've carried these stories with me for 40 years, and they just bubbled up to the surface."

"This book has no pretensions about being a literary tome, I'm a storyteller, and I wanted it to feel like we were having a coffee or a beer and talking about this complete novice who got to be in a number one Hollywood film."

Q: After four decades, why do you think "Deliverance" endures?

A: "When you look at this film, it has a sort of timelessness. It hasn't lost its power and the things it says about the world around us still resonate."

"None of the clothes scream period and the cars may be a bit older, but besides that it could be four guys out on a boat trip today."

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Wednesday, June 20, 2012

'Apologizing for America': Finally the Parties Can Agree! (Atlantic Politics Channel)

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No charge for man who killed daughter's molester

Carolina Astrain / Victoria Advocate via AP

File photo from June 16 showing a building near Shiner, Texas, where authorities say a father beat to death with his fists a man molesting his 5-year-old daughter on June 9.

By msnbc.com staff and news services

SHINER, Texas -- Hearing his 5-year-old daughter crying from behind a barn, a father ran and discovered the unthinkable: A man molesting her. The father pulled the man off his daughter, authorities say, and started pummeling him to death with his fists.

With his daughter finally safe, the father frantically called 911, begging a dispatcher to find his rural ranch and send an ambulance.?"Come on! This guy is going to die on me!" the man is heard screaming on the 911 call. "I don't know what to do!"

A recording of the tape was played during a news conference Tuesday where the Lavaca County district attorney and sheriff announced that the father will not face charges.


In declining to indict the 23-year-old father in the June 9 killing of Jesus Mora Flores, a Lavaca County grand jury reached the same conclusion as investigators and many of the father's neighbors: He was authorized to use deadly force to protect his daughter.

"It's sad a man had to die," said Michael James Veit, 48, who lives across the street from where the attack happened in this small community run on ranching and the Shiner beer brewery. "But I think anybody would have done that."

Father's desperate 911 call
The family ranch is so remote that on the 911 tape, the father is heard screaming at a dispatcher who couldn't locate the property. At one point, he tells the dispatcher he's going to put the man in his truck and drive him to a hospital.

"He's going to die!" the father screams, swearing at the dispatcher. "He's going to f------ die!"

The tense, nearly five-minute call begins with the father saying he "beat up" a man found raping his daughter. The father grows increasingly frazzled, shouting into the phone so loudly at times that the call often becomes inaudible.

The Associated Press is not identifying the father in order to protect the daughter's identity. The AP generally does not identify victims of sexual assault.

"He's a peaceable soul," V'Anne Huser, the father's attorney, told reporters at the Lavaca County Courthouse.

The San Antonio Express reported that Huser said the father ?had no intention to kill anyone on that day.?

?In our opinion, the story is over. You will not get an interview from (the father) or his family,? she said, according to the paper, asking for the family to be left alone.

The attack happened on the family's ranch off a quiet, two-lane county road between the farming towns of Shiner and Yoakum.

Ran toward his child's screams
A statement released by the district attorney said a witness who saw Flores "forcibly carrying" the girl into a secluded area scrambled to find the father.

Running toward his daughter's screams, the father pulled Flores off his child and "inflicted several blows to the man's head and neck area," investigators said.

Emergency crews responding to the father's 911 call found Flores' pants and underwear pulled down on his lifeless body. The girl was examined at a hospital, and Lavaca County District Attorney Heather McMinn said forensic evidence and witness accounts corroborated the father's story that his daughter was being sexually molested.

The father was never arrested, but the killing was investigated as a homicide.

Philip Hilder, a Houston criminal defense attorney and former federal prosecutor, said he would have been surprised if the grand jury had decided to indict the father. Hilder said Texas law provides several justifications for the use of deadly force, including if someone commits a sexual assault.

"The grand jury was not about to indict this father for protecting his daughter," he said.

Authorities said the family had hired Flores before to help with horses on the ranch. He was not born in the U.S., but was here legally with a green card. Attempts to locate Flores' relatives through public records were unsuccessful.

On Tuesday, a new "No Trespassing" sign was freshly tacked onto a gate barring entrance down a gravelly, shrub-canopied path leading to the barn and chicken coop on the ranch, which belonged to the father's dad.

At the father's house, the front yard could pass for a children's playground: Blue pinwheels sunk into patchy grass, an above-ground swimming pool, a swing set, a trampoline and a couple of ropes dangling from a tree for swinging. A partial privacy fence is painted powder blue.

No one answered at the father's home. A few miles away, at a home listed as belonging to the father's sister, a woman shouted through the front door that the family had nothing to say. Huser, the father's attorney, told reporters that neither the father nor anyone else in the family would ever give interviews and asked that they be left alone.

Veit, who lives near the ranch, described the father as easygoing and polite ? down to always first asking permission to search Veit's property for animals that had wandered off the ranch, even though the families have long known each other.

Veit's son was a classmate of the father's at Shiner High School in a graduating class of about two dozen. Veit, 48, said the young father was never known to be in trouble.

"Just like a regular kid, went to dances, drank beer like the rest of the kids around here," Veit said.

'Traumatized for life'
Shiner, a town of about 2,000 people about 80 miles east of San Antonio, revolves around the Spoetzl Brewery that makes Shiner, one of the nation's best-selling independent beers. Even gas stations here sell it on tap.

Flores' death is only the sixth homicide the Lavaca County Sheriff's Office has investigated in the last eight years. Shiner residents boast their squeaky-clean image on a highway welcome sign: "The Cleanest Little City in Texas."

At Werner's Restaurant, customer Gail Allen said she didn't want to speak for the whole town, though her comments echoed what others said.

"The father has gone through enough," said Allen, 59, who has nine grandchildren. "The little girl is going to be traumatized for life, and the father, too, for what happened. He was protecting his family. Any parent would do that."

Patrons at Howard's Convenience Store told the San Antonio Express that they also backed the father.

?I think it's great, they should have given him a medal for what he did, defending his daughter,? Leroy Wagner, 79, told the paper.

?He was being a responsible father, any responsible father would have done the same thing,? added Joe Marek, 59, a local electrician.

And Victor Casper, 65, a retired county worker, told the Epxress, ?If it was my kids, I would have done the same thing. I would have defended them, too.?

The Associated Press contributed to this report.

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Tuesday Night Acoustic: Mike Dawes, 'Somebody That I Used to Know' (Little green footballs)

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